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Piet Mondrian
Dutch 1872-1944 Piet Mondrian Location was a Dutch painter. He was an important contributor to the De Stijl art movement and group, which was founded by Theo van Doesburg. He evolved a non-representational form which he termed Neo-Plasticism. This consisted of a grid of vertical and horizontal black lines and the use of the three primary colours. When 47-year-old Piet Mondrian left his artistically conservative native Holland for unfettered Paris for the second and last time in 1919, he set about at once to make his studio a nurturing environment for paintings he had in mind that would increasingly express the principles of Neo-Plasticism about which he had been writing for two years. To hide the studio's structural flaws quickly and inexpensively, he tacked up large rectangular placards, each in a single color or neutral hue. Smaller colored paper squares and rectangles, composed together, accented the walls. Then came an intense period of painting. Then again he addressed the walls, repositioning the colored cutouts, adding to their number, altering the dynamics of color and space, producing new tensions and equilibrium. Before long, he had established a creative schedule in which a period of painting took turns with a period of experimentally regrouping the smaller papers on the walls, a process that directly fed the next period of painting. It was a pattern he followed for the rest of his life, through wartime moves from Paris to London??s Hampstead in 1938 and 1940, across the Atlantic to Manhattan. At 71 in the fall of 1943, Mondrian moved into his second and final New York studio at 15 East 59th Street, and set about again to create the environment he had learned over the years was most congenial to his modest way of life and most stimulating to his art. He painted the high walls the same off-white he used on his easel and on the seats, tables and storage cases he designed and fashioned meticulously from discarded orange and apple-crates. He glossed the top of a white metal stool in the same brilliant primary red he applied to the cardboard sheath he made for the radio-phonograph that spilled forth his beloved jazz from well-traveled records, Visitors to this last studio seldom saw more than one or two new canvases, but found, often to their astonishment, that eight large compositions of colored bits of paper he had tacked and re-tacked to the walls in ever-changing relationships constituted together an environment that, paradoxically and simultaneously, was both kinetic and serene, stimulating and restful. It was the best space, Mondrian said, that he had ever inhabited. Tragically, he was there for only a few months: he died of pneumonia in February 1944.

 

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Piet Mondrian Abstractor oil painting

Painting ID::  53086

X 
 

Piet Mondrian
Abstractor
mk226 65x34cm 1907-1908
   
   
     

 

 

Piet Mondrian Title oil painting

Painting ID::  53087

X 
 

Piet Mondrian
Title
mk226 72.5x47.5cm 1908
   
   
     

 

 

Piet Mondrian Piety oil painting

Painting ID::  53088

X 
 

Piet Mondrian
Piety
mk26 Oil on canvas 94x61cm 1908
   
   
     

 

 

Piet Mondrian The setting sun oil painting

Painting ID::  53089

X 
 

Piet Mondrian
The setting sun
mk226 34.5x50.5cm
   
   
     

 

 

Piet Mondrian beach of castle oil painting

Painting ID::  53090

X 
 

Piet Mondrian
beach of castle
mk226 41x76cm 1909
   
   
     

 

 

Piet Mondrian Sunset on the sea oil painting

Painting ID::  53091

X 
 

Piet Mondrian
Sunset on the sea
mk226 30x40cm c.1909
   
   
     

 

 

Piet Mondrian Dune oil painting

Painting ID::  53092

X 
 

Piet Mondrian
Dune
mk226 oil on canvas 29.5x35cm 1909
   
   
     

 

 

Piet Mondrian Dune oil painting

Painting ID::  53093

X 
 

Piet Mondrian
Dune
mk226 30x40cm 1909
   
   
     

 

 

Piet Mondrian Dune oil painting

Painting ID::  53094

X 
 

Piet Mondrian
Dune
mk226 62.5x74.5cm
   
   
     

 

 

Piet Mondrian Dune oil painting

Painting ID::  53095

X 
 

Piet Mondrian
Dune
mk226 Oil on canvas 134x195cm c.1910
   
   
     

 

 

Piet Mondrian Lighthouse oil painting

Painting ID::  53096

X 
 

Piet Mondrian
Lighthouse
mk226 oil on canvas 135x75cm 1909-1910
   
   
     

 

 

Piet Mondrian Church oil painting

Painting ID::  53097

X 
 

Piet Mondrian
Church
mk226 114x75cm 1910
   
   
     

 

 

Piet Mondrian Evolution oil painting

Painting ID::  53098

X 
 

Piet Mondrian
Evolution
mk226 Oil on canvas 183x87.5cm 1910-1911
   
   
     

 

 

Piet Mondrian Portrait of woman oil painting

Painting ID::  53099

X 
 

Piet Mondrian
Portrait of woman
mk226 c.1912 115x88cm
   
   
     

 

 

Piet Mondrian Nude oil painting

Painting ID::  53100

X 
 

Piet Mondrian
Nude
mk226 140x98cm 1911-1912
   
   
     

 

 

Piet Mondrian The still-life with dressing oil painting

Painting ID::  53101

X 
 

Piet Mondrian
The still-life with dressing
mk226 65.5x75cm
   
   
     

 

 

Piet Mondrian The still-life with dressing oil painting

Painting ID::  53102

X 
 

Piet Mondrian
The still-life with dressing
mk226 91.5x120cm 1912
   
   
     

 

 

Piet Mondrian Trees oil painting

Painting ID::  53103

X 
 

Piet Mondrian
Trees
mk226 65x81cm 1911-1912
   
   
     

 

 

Piet Mondrian The conformation of trees oil painting

Painting ID::  53104

X 
 

Piet Mondrian
The conformation of trees
mk226 98x65cm 1912
   
   
     

 

 

Piet Mondrian Grey tree oil painting

Painting ID::  53105

X 
 

Piet Mondrian
Grey tree
mk226 78.5x107.5cm 1912
   
   
     

 

       Prev    1  2  3  4  5  6  7     Next

 

Piet Mondrian
Dutch 1872-1944 Piet Mondrian Location was a Dutch painter. He was an important contributor to the De Stijl art movement and group, which was founded by Theo van Doesburg. He evolved a non-representational form which he termed Neo-Plasticism. This consisted of a grid of vertical and horizontal black lines and the use of the three primary colours. When 47-year-old Piet Mondrian left his artistically conservative native Holland for unfettered Paris for the second and last time in 1919, he set about at once to make his studio a nurturing environment for paintings he had in mind that would increasingly express the principles of Neo-Plasticism about which he had been writing for two years. To hide the studio's structural flaws quickly and inexpensively, he tacked up large rectangular placards, each in a single color or neutral hue. Smaller colored paper squares and rectangles, composed together, accented the walls. Then came an intense period of painting. Then again he addressed the walls, repositioning the colored cutouts, adding to their number, altering the dynamics of color and space, producing new tensions and equilibrium. Before long, he had established a creative schedule in which a period of painting took turns with a period of experimentally regrouping the smaller papers on the walls, a process that directly fed the next period of painting. It was a pattern he followed for the rest of his life, through wartime moves from Paris to London??s Hampstead in 1938 and 1940, across the Atlantic to Manhattan. At 71 in the fall of 1943, Mondrian moved into his second and final New York studio at 15 East 59th Street, and set about again to create the environment he had learned over the years was most congenial to his modest way of life and most stimulating to his art. He painted the high walls the same off-white he used on his easel and on the seats, tables and storage cases he designed and fashioned meticulously from discarded orange and apple-crates. He glossed the top of a white metal stool in the same brilliant primary red he applied to the cardboard sheath he made for the radio-phonograph that spilled forth his beloved jazz from well-traveled records, Visitors to this last studio seldom saw more than one or two new canvases, but found, often to their astonishment, that eight large compositions of colored bits of paper he had tacked and re-tacked to the walls in ever-changing relationships constituted together an environment that, paradoxically and simultaneously, was both kinetic and serene, stimulating and restful. It was the best space, Mondrian said, that he had ever inhabited. Tragically, he was there for only a few months: he died of pneumonia in February 1944.